David Březina () came to visit us last week, to talk through his career in type design and his award-winning, multi-script foundry, Rosetta, to critique our typefaces, and to ask us an impossible question. What he wanted to know was how we plan to create original work in our typeface design careers over the next ten years. A ten-year plan is not something I’d naturally sit down and think about, so it certainly struck me as an intriguing question. How on earth can I set about planning my long-term creativity? It was the kind of meta question that demands you take several steps back from the process itself and consider how one approaches one’s approach. Continue reading
The year has flown past at an alarming speed — not that it’s over yet, but as our project deadlines are in June, it feels like we’re very much in the final stretch. After our fantastic field trip to Antwerp, Amsterdam, the Hague, Haarlem and Bussum, the Easter break gave us some much needed breathing room to get down to some serious business with FontLab. Continue reading
Last week was taken over by Typo London, the first of the famed Typo Berlin design conferences to make it to the UK. Eric Spiekermann chaired the event, with his team of moderators, and the whole thing was nicely organised and had some fun bits.
Despite the title ‘Typo London’, this is not a conference primarily about type. It’s more to do with graphic design and the ‘creative industries’, so it covered areas like conceptual art, animation and UX design, which can be quite a long way from type. Continue reading