A rather nasty ‘ten commandments of typography’ infographic prompted me to think about what might be more useful for designers needing to work with type. This quick runthrough aims to highlight the relevant issues and shed light on the considerations that can help you find answers. Continue reading
Gerry talks us through why the letters of ‘adhesion’ are a good starting point for designing type.
Along with my good friend Julian Moncada, we held a 4-day workshop for students of Reading’s MATD programme. Students worked on team projects to create a system of typefaces for fictional clients. We gave them some background info on each client, and set out what the typefaces would be used for. It was then up to the teams to decide on the creative direction, the number of typefaces needed, and the allocation of work among themselves. Continue reading
Designing type is an exercise in parallel thinking. On one level, it’s about coming up with interesting ways to inject each letter with some visual interest and simultaneously respond to the brief chosen. But on another level, it’s about ‘designing the design’, as we’ve seen before. What is it about the letters that hangs them all together? How can a set of ideas be applied consistently and logically so that it can be called a design rather than just a set of shapes? The answer to that is one reason why to me, designing a text face is so sublime: it’s necessarily about eliminating everything that doesn’t gel with everything else, refining and reducing the idea behind it to its clearest, most elegant expression. Continue reading
Some of my favourite architectural lettering found in Brighton. More of my typewalk photos over on Flickr.
The Ampersand Conference is always great because it brings many of my friends from the type community around the world to Brighton, my hometown. This year was extra special because I coordinated the first ever exhibition of student typeface work from around the world. Continue reading
Some rather lovely colourful maps on book covers. These are from the American Geographical Society’s Around the World Program of children’s educational books from the 1960s. More on Flickr.
This is a really common question I’m asked, so I thought I’d write a few notes about why it’s not necessarily a central part of type design to speak a language. Continue reading
This week, the annual ATypI conference is taking place in Hong Kong. Unfortunately I’m not going to be attending, but its theme, ‘Between black and white’, has prompted me to think in more depth about how the principles of notan can be implemented in typeface design, not just as a curiosity, but as a pragmatic tool to enhance readability. Continue reading
Our fantastic year at Reading is now complete, and the class of 2012 has dispersed to make way for the incoming students — a talented looking bunch judging by some of the websites I’ve seen. Continue reading